2019, 66х75, pencil, cardboard

2022, 68х51, сardboard, pencil

2021, 52х37, cardboard, pencil

2017, 47х97, pencil, cardboard

2022, 65,5х53, cardboard, pencil

2021, 68х83, cardboard, pencil

Ulyana - my muse of heavenly beauty. A series of posters - in gratitude and in memory of my dear models.

2021, 29х28, cardboard, pencil

2020, 82х68, cardboard, pencil

2020, 52х37, cardboard, pencil

2020, 68х60, cardboard, pencil

2020, 45х40, cardboard, pencil

2019, 66х96, pencil, cardboard

2018, 47х32, pencil, cardboard

2018, 44х65, cardboard, pencil

A portrait where the heroine without clothes is Eve, who did not know sin.

2018, 42х32, pencil, cardboard

2019, 54х60, pencil, cardboard

2018, 63х95, pencil, cardboard

Pseudo-religious painting

2017, 66х96 cardboard, pencil

2017, 67х99, pencil, cardboard

2016, 68х98, pencil, cardboard

2016, 66х96, pencil, cardboard

2015, 66х80, pencil, cardboard

2015, 69х97, pencil, cardboard

2015, 62х84, pencil, cardboard

2015, 66х88, pencil, cardboard

2015, 66х87, pencil, cardboard

Series POSTERS - is my passionate desire to share my feelings. Whether it's a read book, an important person in my life, or even a character from another era.

2005, 36,5х99,5 cardboard, pencil

2014, pencil, cardboard

2001, 53х78, cardboard, pencil

1996, 29х79, cardboard, pencil

2003, 68,5х99 сardboard, pencil

1999, 25х75,5 cardboard, pencil

1999, 25х75,5 cardboard, pencil

1999, 25х75,5 cardboard, pencil

After the Lord burned the wicked cities of Sodom and Gomorrah with fire, Lot's daughters, thinking that only they survived from all of humanity, lay with their father.

Graphic art is the foundation of every image. The outline is the foundation of graphic art. Amid the horror of existence in the 1990s, when our vast country was collapsing and whole crowds were sinking into poverty, in my constant want and fear I worked as if in a whisper – my lines were no thicker than a hair.

The royal son has assaulted the virtuous beauty, the Roman Lucrece. To cleanse herself before her father and husband, she pierces herself. A commonly used plot in paintings.

Two old works from the 90s series called Invasion. I depicted revived dolls in the furious environment of a suddenly astonished world...

1995, 24х36,5 сardboard, pencil

The idea was to create a set of postcards on thick cardboard with silver-edged edges and a fabric backing. The eight postcards were to be housed in a saffiano leather pouch and fastened with a handmade clasp. It took me two long years to make them… This is a courtly tale about a landowning family’s theatre – the rivalry between the sultanettes and the marquisettes. Carriages travel across the estates, watching the comical battle between the half-dressed actresses.

All the compositions are shaped like a stretched letter ‘S’ lying on its side. This one composition alone is rotated from right to left. A world of destruction. A man’s world. A world of savages who understand nothing of subtle abstractions.

It would be strangely allusive to speak of Russia without mentioning prison, however comical it may be

Under the vaulted ceiling, the echo responds to the measured tap of high heels. Steps are getting closer. The portieres in the oval hall suddenly swing open, a guard emerges from behind the columns. Each warrior-woman holds a staff-candelabrum, with which they strike the antique parquet. The swings of the triangles pulled from their heads and the lights of the candles are skillfully extinguished together. Midnight.

Movie theatre. A theatre of movement. The brilliant Dutch stage director Lisa Marcus made an impression on me that has lasted a lifetime.

1992, 29х39, сardboard, pencil, gold paint, white

A view from the reverse world. Inspired by Italian neorealism films.

2014, 59х69, pencil, cardboard

Army self-portrait. I am 18 years old. There is a mirror in front of me.