KEEPER OF THE FLAME (Portrait of Alexandra Novikova)
2019, 66х75, pencil, cardboard
WHISPER OF FOOTSTEPS ON THE STAIRS (Portrait of Alexandra Novikova)
2022, 68х51, сardboard, pencil
PORTRAIT OF GEORGE KAMCHATOV
2021, 52х37, cardboard, pencil
THE MAD BUYMAN (Series FILM COMPOSITIONS)
2017, 47х97, pencil, cardboard
PORTRAIT OF IRINA KOKKINIDI
2022, 65,5х53, cardboard, pencil
PEARL IN THE MOUTH (Portrait of Alina)
2021, 68х83, cardboard, pencil
ULYANA KASHAPOVA (Series POSTERS) 2022, 67х64, cardboard, pencil.
Ulyana - my muse of heavenly beauty. A series of posters - in gratitude and in memory of my dear models.
BACKSLIDE FIRE (PORTRAIT OF YANA SMIRNOVA) (Series BURN)
2021, 29х28, cardboard, pencil
LILY MARLEENE (Series POSTERS) 2021, 57х77,5, cardboard, pencil.
A German wartime song about a soldier's love for Lili Marleen. My poster is dedicated to love and death, and not to forget Lili Marleen.
SHADOW UPSIDE DOWN (Portrait of Alexandra Novikova )
2020, 82х68, cardboard, pencil
PORTRAIT OF TIMOFEY KAMCHATOV
2020, 52х37, cardboard, pencil
PORTRET OF VIKA SHESTOPALOVA
2020, 68х60, cardboard, pencil
PORTRAIT OF MICHELLE
2020, 45х40, cardboard, pencil
GETTING TIRED OF HURRYING (Series PAINTINGS)
2019, 66х96, pencil, cardboard
PORTRAIT OF TIMOFEY KAMCHATOV
2018, 47х32, pencil, cardboard
CONVERSATION (Series FILM COMPOSITIONS)
2018, 44х65, cardboard, pencil
PORTRAIT OF YANA SMIRNOVA 2018, 52х60, pencil, cardboard.
A portrait where the heroine without clothes is Eve, who did not know sin.
PORTRAIT OF GEORGE KAMCHATOV
2018, 42х32, pencil, cardboard
PORCELAIN HEART (Portrait of Helen Hendrikson)
2019, 54х60, pencil, cardboard
COALWOMAN (Series NUDES)
2018, 63х95, pencil, cardboard
ENCHANTED SQUAD (Series RED ARMY SOLDIERS)
2017, 66х96 cardboard, pencil
ODD- EVEN (Series FILM COMPOSITIONS)
2017, 67х99, pencil, cardboard
PORTRAIT OF YANA SMIRNOVA
2016, 68х98, pencil, cardboard
HOPE OF THE DAMNED (Cycle PAINTINGS)
2016, 66х96, pencil, cardboard
BATHER WITH A CANE
2015, 66х80, pencil, cardboard
GAME (Portrait of Natasha and Zoya Kotmina)
2015, 69х97, pencil, cardboard
SOVIET POET GENNADY SHPALIKOV (Series POSTERS)
2015, 62х84, pencil, cardboard
PORTRAIT OF GAYANE
2015, 66х88, pencil, cardboard
GIRL WITH BELT LEG (Series GIRLS AND LADIES)
2015, 66х87, pencil, cardboard
GAYANE AMBARTSUMYAN (Series POSTERS) 2015, 43х93, pencil, cardboard
Series POSTERS - is my passionate desire to share my feelings. Whether it's a read book, an important person in my life, or even a character from another era.
PORTRAIT OF E.M.
2014, pencil, cardboard
MYSTICAL BATHERS
2005, 36,5х99,5 cardboard, pencil
EVENING BATHERS
2001, 53х78, cardboard, pencil
LIGHTHOUSE KEEPER
1996, 29х79, cardboard, pencil
BATHING AT THE PIER (Series BATHERS)
2003, 68,5х99 сardboard, pencil
Triptych. DREAM.
1999, 25х75,5 cardboard, pencil
Triptych. DEATH.
1999, 25х75,5 cardboard, pencil
Triptych. HOLIDAY
1999, 25х75,5 cardboard, pencil
LOT'S DAUGHTERS (Series OUTLINE) 1998, 41х59, сardboard, pencil.
After the Lord burned the wicked cities of Sodom and Gomorrah with fire, Lot's daughters, thinking that only they survived from all of humanity, lay with their father.
DANCE OF SALOME (Katya M.) (Series OUTLINE) 1998, 42х61, сardboard, pencil
Graphic art is the foundation of every image. The outline is the foundation of graphic art. Amid the horror of existence in the 1990s, when our vast country was collapsing and whole crowds were sinking into poverty, in my constant want and fear I worked as if in a whisper – my lines were no thicker than a hair.
LU WITH THE SHELL (LUCRETIA) (Series OUTLINE) 1997, 48х54, cardboard, pencil
The royal son has assaulted the virtuous beauty, the Roman Lucrece. To cleanse herself before her father and husband, she pierces herself. A commonly used plot in paintings.
GAYANE - INVASION (Series INVASION) 1995, 41х43, Сardboard, pencil
Two old works from the 90s series called Invasion. I depicted revived dolls in the furious environment of a suddenly astonished world...
CAR FOR LOVERS (Series INVASION)
1995, 24х36,5 сardboard, pencil
MARQUISETTES 1992, 16х28, pencil, cardboard
Under the vaulted ceiling, the echo responds to the measured tap of high heels. Steps are getting closer. The portieres in the oval hall suddenly swing open, a guard emerges from behind the columns. Each warrior-woman holds a staff-candelabrum, with which they strike the antique parquet. The swings of the triangles pulled from their heads and the lights of the candles are skillfully extinguished together. Midnight.
TIME-FRAME (Poster for a Theatre Production) 1992, 59х39, сardboard, pencil, gold paint, white
Movie theatre. A theatre of movement. The brilliant Dutch stage director Lisa Marcus made an impression on me that has lasted a lifetime.
TIME-FRAME (Program for a Theatre Production)
1992, 29х39, сardboard, pencil, gold paint, white
DAY WITHOUT SHADOWS 1990, 49х55, cardboard, pencil.
A view from the reverse world. Inspired by Italian neorealism films.
PORTRAIT OF YANA SMIRNOVA
2014, 59х69, pencil, cardboard
SELF-PORTRAIT 1978 32х40 pencil, cardboard
Army self-portrait. I am 18 years old. There is a mirror in front of me.
Photo reproductions – design studio “SAMOLET”
© Max Taling
© Max Taling